Different mpc metals and their affect on spund/play
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Different mpc metals and their affect on spund/play
I'm really digging my Symington 1.5. So much so i want to get a second as a backup mouthpiece. I know he uses different metals/alloys for those who may have allergies or want something different. Does the change in metals affect the sound? I imagine it affects the feel. Thoughts?
Thanks
Thanks
6H (K series)
Elkhart 60s' 6H bell/5H slide
78H (K series)
8H (N series bell w/ modern slide)
88HN
71H (dependant valves)
72H bell section (half moon)
35H alto (K series)
Boneyard custom .509 tenor
Elkhart 60s' 6H bell/5H slide
78H (K series)
8H (N series bell w/ modern slide)
88HN
71H (dependant valves)
72H bell section (half moon)
35H alto (K series)
Boneyard custom .509 tenor
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Re: Different mpc metals and their affect on spund/play
yes it does. I have one. pm me.
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Re: Different mpc metals and their affect on spund/play
Oh yes, as Bill said, there's a difference.
Chris
Chris
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Re: Different mpc metals and their affect on spund/play
I use DE mouthpieces, and for the most part I don't notice a difference between lexan and brass rims. But I do notice a difference when I put (a different maker's) stainless rim on.
It's hard to make a real comparison when you swap out the entire mouthpiece, but just switching the rim makes it clear which component affected the change. The stainless (harder, more dense, stiffer) makes for a brighter sound. Not sure how that relates to your mouthpiece, but yes, the material does matter.
It's hard to make a real comparison when you swap out the entire mouthpiece, but just switching the rim makes it clear which component affected the change. The stainless (harder, more dense, stiffer) makes for a brighter sound. Not sure how that relates to your mouthpiece, but yes, the material does matter.
- ithinknot
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Re: Different mpc metals and their affect on spund/play
Changing material/density is the only way you can change mass while maintaining the same relative mass distribution (i.e. blank shape)... so it's a bit like the usual standard vs heavyweight characteristics, but also not...
When it's just the rim, I wonder if it sounds much different to the listener, or whether the difference is mostly an intracranial perception thing caused by the different feedback/vibration coupling characteristics of the materialhyperbolica wrote: ↑Sun Jun 13, 2021 3:14 pm It's hard to make a real comparison when you swap out the entire mouthpiece, but just switching the rim makes it clear which component affected the change. The stainless (harder, more dense, stiffer) makes for a brighter sound.
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Re: Different mpc metals and their affect on spund/play
I believe that has more to do with weight than anything.hyperbolica wrote: ↑Sun Jun 13, 2021 3:14 pm I use DE mouthpieces, and for the most part I don't notice a difference between lexan and brass rims. But I do notice a difference when I put (a different maker's) stainless rim on.
It's hard to make a real comparison when you swap out the entire mouthpiece, but just switching the rim makes it clear which component affected the change. The stainless (harder, more dense, stiffer) makes for a brighter sound. Not sure how that relates to your mouthpiece, but yes, the material does matter.
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Re: Different mpc metals and their affect on spund/play
The metal a mouthpiece is made of absolutely adjusts your sound, but it does much more than that. The response and tactile feel on your chops also vary significantly. I've played the same exact mouthpiece in brass, bronze, wood, and titanium. All 4 are 2 piece, allowing me to switch out the shank material as well, of which I have tried brass, bronze, titanium. Nickel silver, and carbon fiber.
In a nutshell, using brass as a baseline, bronze responds faster, is brighter, but the sound is also richer (overtones really shine through). Hard articulations come out easily, and legato playing is similar to brass, perhaps requiring some additional finesse.
Titanium responds faster than bronze, has an incredible slippery feel on the chops (when brought to a super fine polish), but the sound is kind of dead compared to the other materials. I find additional work is needed for hard accents, and legato playing is smooth as silk.
I find that due to the properties of both these metals. They both benefit from being paired in some way (bronze shank with titanium top, or the opposite as works as well).
I won't run through every material I've played, but thought these examples would illustrate what impact materials make well enough.
In a nutshell, using brass as a baseline, bronze responds faster, is brighter, but the sound is also richer (overtones really shine through). Hard articulations come out easily, and legato playing is similar to brass, perhaps requiring some additional finesse.
Titanium responds faster than bronze, has an incredible slippery feel on the chops (when brought to a super fine polish), but the sound is kind of dead compared to the other materials. I find additional work is needed for hard accents, and legato playing is smooth as silk.
I find that due to the properties of both these metals. They both benefit from being paired in some way (bronze shank with titanium top, or the opposite as works as well).
I won't run through every material I've played, but thought these examples would illustrate what impact materials make well enough.
Check out our new Pollard Sarastro line of mouthpieces: https://www.librassco.com/pollard-signature-series
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Re: Different mpc metals and their affect on spund/play
When I asked Bill about the difference with his zirconium he said that to him it seemed to have a warmer sound. He also said that it has more overtones and that it might be accurate to say that it can amplify one's tendency toward bright or dark. He also said it responds more easily at soft volumes.
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- dershem
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Re: Different mpc metals and their affect on spund/play
A nice table, or a complete entry/diary/posting might be very interesting and informative.LIBrassCo wrote: ↑Mon Jun 21, 2021 5:03 am The metal a mouthpiece is made of absolutely adjusts your sound, but it does much more than that. The response and tactile feel on your chops also vary significantly. I've played the same exact mouthpiece in brass, bronze, wood, and titanium. All 4 are 2 piece, allowing me to switch out the shank material as well, of which I have tried brass, bronze, titanium. Nickel silver, and carbon fiber.
In a nutshell, using brass as a baseline, bronze responds faster, is brighter, but the sound is also richer (overtones really shine through). Hard articulations come out easily, and legato playing is similar to brass, perhaps requiring some additional finesse.
Titanium responds faster than bronze, has an incredible slippery feel on the chops (when brought to a super fine polish), but the sound is kind of dead compared to the other materials. I find additional work is needed for hard accents, and legato playing is smooth as silk.
I find that due to the properties of both these metals. They both benefit from being paired in some way (bronze shank with titanium top, or the opposite as works as well).
I won't run through every material I've played, but thought these examples would illustrate what impact materials make well enough.
I, for one, am somewhat disappointed that the experiments with Aluminum didn't work out better. Having an aluminum mouthpiece was very handy when I lived in a cold climate.
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Re: Different mpc metals and their affect on spund/play
Completely agree!btone wrote: ↑Sun Jun 27, 2021 8:24 am When I asked Bill about the difference with his zirconium he said that to him it seemed to have a warmer sound. He also said that it has more overtones and that it might be accurate to say that it can amplify one's tendency toward bright or dark. He also said it responds more easily at soft volumes.